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Flatliners

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that this tendency toward the very warm end of the spectrum is only increased courtesy of HDR and/or Dolby Vision. The increased If you’re going to make a high-concept movie, you need to deliver the goods. In the case of 1990’s Flatliners, directed by Joel Schumacher from a script by Peter Filardi, the final product unfortunately doesn’t live up to the premise set forth in the first act of the story. darker and what I'd call more burnished looking, with an emphasis on almost yellow-orange tones that can give things a painterly air. The film's friends, these "flatliners" come face-to-face with their own demons as they ultimately realize that the following information on the restoration: Flatliners was restored in 4K by Sony Pictures Entertainment, 4K scanning by Prasad Corporation, Burbank, from the 35mm Original Picture

some time ago with another simultaneous 1080 and 2160 release of an Arrow product where the insert booklets had different information, I believe HDR color grading and confrom by colorist Sheri Eisenberg at Roundabout Entertainment, Santa Monica. Digital Image restoration by PrasadIt’s a fascinating idea, both in delivery and possibilities. In Flatliners world, those who defy death are punished. These aren’t people who recovered from an accident, rather those who choose to kill themselves, their brazen ego enough to sustain them afterward. Visions of Light, a brand new video interview with director of photography Jan de Bont and chief lighting technician Edward Ayer

hues basically drenching the frame, with detail levels remarkably intact throughout. This has a grittier look than the Sony, and grain admittedly can There is a surprisingly small photo gallery (13 images) consisting of publicity shots and production stills. Joel Schumacher’s Flatliners receives a new 4K UHD Blu-ray edition from Arrow Video and isdelivered in the aspect ratio of 2.39:1 on a triple-layer disc with a 2160p/24hz encode and Dolby Vision. Arrow is using an all-new 4K restoration performed by Sony Pictures Home Entertainment that was sourced from the 35mm original camera negative. Atonement - a new video interview with composer James Newton Howard and orchestrator Chris Boardman (11 mins)Legendary composer James Newton Howard ( Stir of Echoes, The Fugitive) and orchestrator Chris Boardman share their memories of this film in Atonement (2022, 12 minutes). Howard says scoring films came naturally to him and talks about his writing process building emotion through tone and themes. Boardman explains what an orchestrator does and cites some of his favorite cues.

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